Hailed in 1961 as an exotic, special purpose, ultra-high-speed lens with rare-earth glass elements, it made available-light color photography a practical reality. At f/1.4, any falloff contributes to the strength of the final image by focusing our eyes on the subject, and keeping them from wandering out of the frame. 19,7, Stranieri: See my even more detailed comparison chart in my LEICA SUMMILUX-M 50mm f/1.4 ASPH review. Finder blockage: M9 0.72x, focus at 1 meter, 12 586 vented hood. In 2003, LEICA shared that it delivers an exact color differentiation and it is virtually free of coma. Adorama pays top dollar for your used gear. The absolute calibration of the apertures matches my other lenses, which is critical for perfect exposure when used with an external meter. (the old M8 needed a LEICA 46mm 13 418 silver-ring IR filter or LEICA 46mm 13 411 black-ring IR filter.). For real photographers, the benefits of the f/2 lenses are smaller size and weight. In the region of least sharpness (15mm radius from the center of the image), it gets better as stopped down, and is optimum from about f/4 ~ f/8. If you use this hood, and regular Nikon or Canon 62mm caps fits in the front of the hood, saving you from having to reverse it every time. There were three cosmetic variations to suit the fashions of the times. Potrebbe essere ordinato per ruolo. This is much better than the Nikon 50mm f/1.4 rangefinder lens, whose smaller stops were crunched close together. This LEICA SUMMILUX 50mm f/1.4 was LEICA's standard ultrahigh-speed normal lens from 1961 until it was replaced by the LEICA SUMMILUX-M 50mm f/1.4 ASPH in 2004. Whatever difference there may or may not be, it is unbefitting the attention of creative photographers. The LEICA SUMMILUX 50mm f/1.4 has almost no visible distortion. Sure, the SUMMILUX is sharp, but it also has the least distortion of any other 50mm f/1.4 lens.. This SUMMILUX helped kill off Nikon's rangefinder cameras in the early 1960s. I've not seen any performance variation with year for other lenses. The 50mm SUMMILUX is one of photography's greatest and longest lived lenses. The plane of best focus is curved at close focus distances. Stade François-Blin 5.228 posti, Bilancio trasferimenti: Newer 43mm non-LEICA filters have a coarser 0.75mm pitch. The black anodized aluminum version weighs only 275g, while the heaviest chromed brass version weighs 380g. google_color_link = "0000FF"; Don't loan your SUMMILUX to a lesser photographer, since they have a tendency to presume caps are friction-fit, and will probably force it on or off and break the lip which keeps the cap attached. Per usare questa pagina è necessario attivare Javascript, Classifica Championnat National 2 - Groupe B 20/21, Valore di mercato degli cessioni: 475 mila €. Rosa: Remember, this is a super high-speed lens designed for shooting hand-held in the dark, not for copy-stand use. LEICA 12 521 G Hood (1959-1968). Finder blockage: M9 0.72x, focus at infinity, no hood. The difference is that the newer, reverse-conical, all-black vented hood cleverly does not block the finder, while the older non-vented, trumpet-style hood does. When it came out, the SUMMILUX was decades beyond the performance of the competitive Nikon 50mm f/1.4 rangefinder lens. Single-coated in blue and magenta; rear elements in amber. This SUMMILUX has much poorer definition in a band of about 15mm image radius at larger apertures. You won't see this in real photography, but if it worries you, choose the newest f/2 SUMMICRON-M instead. Watch out for the correct 0.5mm pitch on your adapter ring. 1959-1991: 1m (39"), which is a reproduction ratio of 1:17 covering a field of about 410 x 620 mm. 12 521G Hood (aka XOOIM): 1.235 oz. google_color_bg = "FFFFFF"; Adorama pays top dollar for your used gear, trademark for any of LEICA's f/1.4 lenses, Photoshop's 6 30,0 %, Nazionali: With a 43mm -> 52mm step-up ring filter you're OK at infinity, and get some blockage at closer distances. I recommend them all personally. If you're counting every pixel on an M9, you deserve the newest LEICA SUMMILUX-M 50mm f/1.4 ASPH, which has somewhat superior sharpness. You can recognize its cross section as different because elements 2 and 3 are cemented and elements 6 and 7 are separate, unlike the later lenses where the first three elements are separate and the last two groups are cemented. I'd leave the hood at home, since it blocks some of the finder. © 2009 KenRockwell.com. These aren't facts or specifications, they are the results of my research that requires hours of photography and calculations on the resulting data. 1992-2004: 0.7m, which is a reproduction ratio of 1:11.6 covering a field of about 277 x 416 mm. It was the absolutely finest 50mm f/1.4 lens available for each of the brand-new M2, M1, M4, M4-P, M5, CL, CLE, LEICA M6 and M7 as each was introduced. Some casual users refer to this as "Type 2.". I use these stores. I expect that they should be much worse than an older version used with the 12 586 hood. Locks in with hood clamps. google_color_border = "336699"; Notice how the SUMMILUX has retained its value for fifty years. The SUMMILUX shares the timeless LEICA ergonomics: aperture on the front, focus in the middle. This LEICA 50mm f/1.4 SUMMILUX is optimized for shooting low ISO film in low light. lens distortion filter. 11.6oz (325g) specified. The performance and technology of the past 43 years is now eclipsed by the new LEICA SUMMILUX-M 50mm f/1.4 ASPH . LEICA M3 and SUMMILUX 50mm f/1.4. If you do, you could destroy both your SUMMILUX and your accessory. For actual photography, this is still the best 50mm f/1.4 lens ever made by anyone until LEICA outdid themselves in 2004 with the ASPH version. Throughout the 1960s, the 1970s, the 1980s, the 1990s, and again in 2002 with the introduction of the brand-new M7, each time you found yourself a winner since you already owned the best and latest optical design. Finder blockage: M9 0.72x, focus at infinity, 12 586 vented hood. Even if with inflation, the SUMMILUX holds it value over the decades, while cranking out jaw-dropping photos all along the way. This black ASPH version takes 46mm filters, weighs 335g and has a built-in hood., while the silver verison weighs 460g. It is differentiated from the newer optical design below by its serial numbers of 1 844 000 and below. This minimal distortion can be corrected for photogrammetric use by plugging these figures into Photoshop's The biggest help is when you use any of these links when you get anything, regardless of the country in which you live. LEICA cautioned that it is not, however, designed for use on focusing devices or for reproduction purposes (copy work). All the 43mm filter-threaded versions (1959-1991) favor precision over speed. The vents allow the finder to see through the newer hood. In brighter light you're stopped down where it's always the sharpest. In 1976 it was described as a normal lens with very large maximum aperture with excellent correction for coma, as well as outstanding contrast rendering with freedom from ghost images from bright light sources, even at its full aperture of f/1.4. Today, it's probably easier to use a 43mm -> 46mm step-up ring to use today's common 46mm filters with 43mm threaded lenses. It takes a new black, vented 12 586 hood. LEICA no longer makes many 43mm filters, while everyone makes 46mm filters. google_ad_format = "120x600_as"; I support my growing family through this website, as crazy as it might seem. They have very precise, long-throw focus rings that spread the range from infinity to 1 meter across 180º of rotation, The 46mm filter-threaded versions (1992-today) focus more quickly, covering a broader range from infinity to 0.7 meters in less than 180.º. 1992-2004: 0.7m, which is a reproduction ratio of 1:11.6 covering a field of about 277 x 416 mm. The older 14 036 cap works fine on the reversed newer 12 586 hood. Questa è una panoramica di tutti i trasferimenti di un club nella stagione scelta. This means that flat subjects, which are boring, won't be as in-focus on the sides and corners. Maximum diameter (focus ring): 2.097" (53.31mm), measured (1964 version). This is a crop from the middle left side, 8mm out from the center of the image. google_color_text = "000000"; bigger. google_ad_width = 120; I have not tried the newest 46mm-threaded versions and their telescoping hoods. LEICA's data (see pages 42-45, and specifically page 51 for performance graphs.). LEICA calls this the LEICA SUMMILUX 50mm f/1.4. Like many fast normal and wide lenses, it is at its softest about 15mm away from the center. (Regardless of the actual focal length, the small sensor of the old M8 only sees an angle of view similar to a 70mm lens.). Front, LEICA 50mm f/1.4 SUMMILUX. Capped and hooded ensemble: 12.307 oz. lens distortion filter, real photographers don't worry about every last pixel of sharpness. The calibration is right-on: the meter in my M7 tracks each half-stop click perfectly. enlarge. If I get my hands on more than one version at once I'll have a run-off, however I doubt that there is any difference. enlarge. Later years may have included a leather case instead of the clear bubble, but every version included the hood of time. This sample from 1964 has a slightly stiffer aperture ring that sometimes takes a firmer finger (or two fingers) to set, and I suspect an overhaul would make it as free as every other LEICA lens. Thus we have the story of a master. enlarge. Potrebbe essere ordinato per ruolo. For every armchair photographer who thinks that there have been improvements in manufacturing techniques over 40 years, there are just as many pros who will explain that LEICA's grandest years were the 1950s and 1960s which created the SUMMILUX in the first place, and that the products of these golden years are LEICA's best ever. The aperture ring is linear: each stop is equidistant from the next. Since there are two thread pitches running around for 43mm lens accessories, regardless of the pitch of your lens, there is a very good chance that whatever non-LEICA item you attempt to screw into your SUMMILUX won't have the correct pitch. The blades always form a perfectly symmetrical 12-sided aperture, unlike SLR lenses which often are uneven. If shooting flat subjects up close, choose more interesting subjects, or stop down, or use a macro lens. Home Donate New Search Gallery Reviews How-To Books Links Workshops About Contact. Be very careful when attaching screw-in accessories. If you insist on shooting flat subjects up close at large apertures, try pushing out the focus a little to get the sides in better focus. So how sharp is this professional 1961 SUMMILUX design compared to the latest and greatest lenses from consumer manufacturers? For 43mm filters, I'd use a 43mm B+W 81A, 43mm B+W #022 Medium Yellow, or 43mm B+W UV. October 2013 LEICA Reviews LEICA Lens Reviews All Reviews, NEU: LEICA SUMMILUX 50mm f/1.4 ASPH (2004-today). Facebook is showing information to help you better understand the purpose of a Page. If ultimate image sharpness is your quest, the LEICA SUMMICRON-M 50mm f/2 is better than any LEICA SUMMILUX. Questa è una panoramica di tutti i trasferimenti di un club nella stagione scelta. 1959-1968: 12 521 G (XOOIM), trumpet style, chrome. In addition to costing ten times as much as a Nikon or Canon, this lens also gets its performance advantage from the layout of the rangefinder M cameras, which gives lens designers the freedom to place the rear elements much closer to the image plane than with SLR lenses.
Camping à La Ferme Concarneau, Mignon Mignon Champagne, Les Symboles De La France, Restaurant Le Saint Laurent, Gîte De France Avec Piscine Privée Bretagne, Sculpteurs Animaliers Célèbres, Promo Hôtel Aquabella Aix En Provence, Sarout Appartement Rabat, Lego Colosseum 10276, Location Maison La Motte-servolex,