[75] In 2006, Senor Coconut paid tribute to the band with his Yellow Fever! The trailblazing force behind the emergence of the Japanese techno-pop sound of the late '70s, Yellow Magic Orchestra remains a seminal influence on contemporary electronic music -- hugely popular both at home and abroad, their pioneering use of synthesizers, sequencers and drum machines places them second only to Kraftwerk as innovators of today's electronic culture. [31] These influences on YMO included Japanese electronic music (such as Isao Tomita),[49] traditional Japanese music, experimental Chinese music (of the Cultural Revolution era),[45] Indian music (such as Ravi Shankar and Bollywood music),[19] arcade game samples,[16][50] American rap,[32] exotica,[31] Caribbean ska,[31] Giorgio Moroder's disco work,[4] the Beatles, the Beach Boys and their leader Brian Wilson,[51] Van Dyke Parks,[citation needed] classical music,[11] animal sounds,[52] and noise. Discover all Yellow Magic Orchestra's music connections, watch videos, listen to music, discuss and download. The group also performed "Firecracker" and "Tighten Up" live on the Soul Train television show. Their first single under this name, "Rescue", was written for the film Appleseed EX Machina. Yellow Magic OrchestraBGM (180g) Auf ihrem vierten Album, »BGM« von 1981, nahm das Yellow Magic Orchestra den Faden des Vorgängers »Xi Multiplies« wieder auf, begab sich tiefer in das Reich von Synthesizern und Drumcomputern und experime…. Die Band wurde ursprünglich 1978 als Ein-Mann-Studioprojekt von Haruomi Hosono in Tokio gegründet. "[76], YMO are considered pioneers in the field of popular electronic music, and continue to be remixed or sampled by modern artists,[4] including experimental artist Yamantaka Eye, electronica group LFO, jungle band 4hero, electrolatino artist Senor Coconut, ambient house pioneers The Orb and 808 State,[11] electronic music groups Orbital[27] and The Human League,[74] hip hop pioneer Afrika Bambaataa,[3] and mainstream pop musicians such as Michael Jackson, Quincy Jones, Greg Phillinganes,[27] Eric Clapton, Mariah Carey, and Jennifer Lopez. An der Welttournee 1979 war Gitarrist Kazumi Watanabe [20] Thousand Knives was also notable for its early use of the microprocessor-based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album. [citation needed] Legendary English guitarist Bill Nelson, who had disbanded Be-Bop Deluxe and Red Noise to more recently explore Electropop himself, likewise played on YMO's Naughty Boys (1983), its non-vocals variant Naughty Boys Instrumental (1984) and subsequent solo Yukihiro Takahashi projects, before featuring the latter on two of Nelson's own UK based releases. Track 3 on side one of Yellow Magic Orchestra’s fourth studio album BGM, released in 1981. Finden Sie Top-Angebote für 12' YELLOW MAGIC ORCHESTRA---COMPUTER GAME (NL PRESS./YELLOW WAX) (EX) bei eBay. Oktober 2020 um 00:27 Uhr bearbeitet. Ihre Meinung ist ein wichtiges Entscheidungskriterium für andere Besucher, eine Veranstaltung zu besuchen. 02. While their contemporaries in Düsseldorf, and later Detroit, were using synthesizer technology to create bleak dystopian music, YMO introduced a more "joyous and liberating" approach to electronic music. In ihrer asiatischen Heimat genießen sie ein ähnliches Ansehen als Pioniere der elektronischen Musik wie etwa die Gruppe Kraftwerk in Europa und Nordamerika. Track 2 on 'Yellow Magic Orchestra' (1978)Written by Martin DennyLYRICS:Instrumental-uploaded in HD at http://www.TunesToTube.com [24] Following the release of the album Yellow Magic Orchestra, a live date at the Roppongi Pit Inn was seen by executives of A&M Records of the USA who were in the process of setting up a partnership deal with Alfa Records. [citation needed] Solid State Survivor included several early computerized synth rock songs,[6][28] including a mechanized cover version of "Day Tripper" by the Beatles. They were careful to avoid saying they had "split up", preferring to use the Japanese phrase meaning "spreading out" (散開, sankai), and the trio continued to play on each other's recordings and made guest appearances at live shows. Hör dir Titel und Alben von Yellow Magic Orchestra an, unter anderem „Rydeen“, „Yellow Magic (Tong Poo)“, „Behind the Mask“ und viele mehr. Recently performing live as Human Audio Sponge; Hosono, Sakamoto and Takahashi did a live performance together as Yellow Magic Orchestra for the Live Earth, Kyoto, event on July 7, 2007, which raised money and awareness of a "climate in crisis". [13][14] Also around the same time, the band's future "fourth member" Hideki Matsutake was the assistant for the internationally successful electronic musician Isao Tomita. [100], 1978–1983: National and international success, 2002–present: Post-breakup and reformation, YMO – Rydeen 2 (2003 television interview), Tokyo National University of Fine Arts and Music, Learn how and when to remove this template message, Dragon Ball Z: Bardock – The Father of Goku, "Sakamoto hears music's sounds, not its styles", "Back to the future: Yellow Magic Orchestra helped usher in electronica – and they may just have invented hip-hop, too", Harry Hosono And The Yellow Magic Band – Paraiso, Ryuichi Sakamoto – Thousand Knives Of (CD), "Yellow Magic Orchestra: The Pre-MIDI Technology Behind Their Anthems", Yellow Magic Orchestra – Yellow Magic Orchestra, "Artists and producers strive for inroads overseas", "Behind the Mask – Michael Jackson's rarest recording? Informationen zu Yellow Magic Orchestra (Japan) inkl. Yellow Magic Orchestra - Solid State Survivor - (Vinyl) im Onlineshop von MediaMarkt kaufen. [83] The music YMO produced during their comeback in the early 1990s also played an instrumental role in the techno and acid house movements towards the end of the 20th century. Bewertung, Yellow Magic Orchestra Usa & Y. Disco, Pop, Import-Can, SYMPHONIC "[53], Their approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology. Yellow Magic Orchestra. Albums include Solid State Survivor, Yellow Magic Orchestra, and 環境音楽 Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990. Insomnia . [16] Their albums Solid State Survivor and X∞Multiplies held the top two spots on the Oricon charts for seven consecutive weeks in 1980, making YMO the only band in Japanese chart history to achieve this feat. [31] "Computer Game" (1978) also influenced Sheffield's bleep techno music; the Warp record, Sweet Exorcist's "Testone" (1990), defined Sheffield's techno sound by making playful use of sampled sounds from "Computer Game" along with dialogues from the film Close Encounters of the Third Kind (1977). All Rights Reserved. 11,70 € Weiter. The band have reunited in 2007 for an advertising campaign for Kirin Lager which lampooned their longevity and charted No.1 on various Japanese digital download charts (including iTunes Store chart) with the song "Rydeen 79/07", released on Sakamoto's new label commmons. The group is considered influential and innovative in … [97] They also inspired early ambient techno artists such as Tetsu Inoue,[98] and the classical music composer Joe Hisaishi. Mit dem Einsatz immer modernerer Synthesizer, Sampler, Sequenzer und digitaler Aufnahmetechnik, sowie der meist auf Englisch verfassten Texte, die an Cyberpunk erinnerten, wurde Y.M.O. [39] In January 2011, KCRW announced for their World Festival concert series that Yellow Magic Orchestra will perform at the Hollywood Bowl on June 26, 2011. Yellow Magic Orchestra. [23], The band has been described as "the original cyberpunks"[68] and their early work has been described as "proto-techno" music. Die Band machte diesen kurzen Haarschnitt dort erst salonfähig. Die Mitglieder sind Haruomi Hosono (Bass), Yukihiro Takahashi (Schlagzeug) und Ryuichi Sakamoto (Keyboard). [35], The band had paused their group activities by 1984. Hosono also contributed to one of Sakamoto's songs, "Thousand Knives", in the album. "[6], Other electronic equipment used by the group included the LMD-649 sampler (see Sampling above),[56] Roland MC-4 Microcomposer sequencer,[22] Pollard Syndrum electronic drums,[23] Roland VP-330 and Korg VC-10 vocoders,[23][22] Yamaha CS-80 and DX7 synthesizers,[67][22] Korg PS-3100 and PS-3300 synthesizers,[23][22] Moog III-C and Polymoog synthesizers, and ARP Odyssey, Oberheim 8 Voice and E-mu Emulator synthesizers. Although the primary YMO members (Yukihiro Takahashi, Haruomi Hosono, and Ryuichi Sakamoto) are effectively known as HASYMO and played both these concerts, these concerts were billed simply as "YMO" but featured only 4 YMO songs in each concert while the rest of the concert featured Sketch Show, HASYMO music and member's solo works. Wählen Sie aus erstklassigen Inhalten zum Thema Yellow Magic Orchestra in … [19] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. They released the surprise global hit "Computer Game" in 1978, reaching the UK Top 20 and selling 400,000 copies in the US. by Yukihiro Takahashi", "Yellow Magic Orchestra Versus Human League, The – YMO Versus The Human League", "Mariah 'Ripped Off' Twice on Same Record", "Derrick May on the roots of techno at RBMA Bass Camp Japan 2010", Hi-Tech/No Crime: Yellow Magic Orchestra Reconstructed, "Ikonika interview: Producer and DJ, Ikonika had an incredible 2010", "Camouflage Emphasizes That It Is Its Own Band", "Yellow Magic Orchestra & Friends: The Influence of Japanese Technopop", "Nothin' Like the Reel Thing: Soundtrack & Film Score News", "Popular Computer's Top 5 Japanese Music Artists", EUYMO – Yellow Magic Orchestra Live in London + Gijón 2008, UC YMO: Ultimate Collection of Yellow Magic Orchestra, Tighten Up (Japanese Gentlemen Stand Up Please! [77], YMO also influenced techno music,[78] including its pioneers Juan Atkins, Kevin Saunderson, and Derrick May,[79] who cited YMO as an important influence on their work alongside Kraftwerk. [45], Technodelic (1981) was produced using the LMD-649, a PCM digital sampler that Toshiba-EMI sound engineer Kenji Murata custom-built for YMO. Yellow Magic Orchestra Fan-Report: Bewertungen und Rezensionen Sie waren dabei? Yellow Magic Orchestra - Samples, Covers and Remixes on WhoSampled. 03. [48], The band also drew from a wider range of influences than had been employed by Kraftwerk. [71] They also influenced the New Romantic movement,[71][failed verification] including British bands Duran Duran[16] and Japan, whose member Steve Jansen was influenced by drummer Takahashi,[72] while lead member David Sylvian was influenced by Sakamoto, who would later collaborate with Sylvian.[72]. [91] The song was also later included in Playgroup's compilation album Kings of Electro (2007), alongside later electro classics such as Hashim's "Al-Nafyish" (1983). The early 2000s saw Hosono and Takahashi reunited in a project called Sketch Show. The band was one of the first to use Sampling. 17 in the UK Charts. Profile: Japanese electropop band, formed in 1978. In August 2007, the band once again reformed, taking the name HASYMO or HAS/YMO, combining the names of Human Audio Sponge and Yellow Magic Orchestra. Seite 1 von 1 Zum Anfang Seite 1 von 1 . ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. From Wikipedia, the free encyclopedia (Redirected from Firecracker (Yellow Magic Orchestra song)) Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Yellow Magic Orchestra - Ballet Intro guitar pro tab with free online tab player, speed control and loop. YMO was initially conceived by Hosono as a one-off exploration of computerized exotica and parody of Western conceptions of the orient. [12] Following the break-up of his band Happy End in 1972, Hosono became involved in the recording of several early electronic rock records, including Yōsui Inoue's folk pop rock album Kōri no Sekai (1973) and Osamu Kitajima's progressive psychedelic rock album Benzaiten (1974), both of which utilized synthesizers, electric guitars, electric bass, and in the latter, electronic drums and rhythm machines. [4] The group is considered influential and innovative in the field of popular electronic music. [46] Their alternative template for electronic pop was less minimalistic, made more varying use of synthesizer lines, introduced "fun-loving and breezy" sounds,[47] and placed a strong emphasis on melody[45] in contrast to Kraftwerk's statuesque "robot pop". Dieses Genre wurde Ende der 1970er Jahre von ihnen maßgeblich mitbeeinflusst. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. [17] The three worked together again for the 1978 album Pacific, which included an early version of the song "Cosmic Surfin". Diese Seite wurde zuletzt am 14. [4] YMO also popularized a style of live performance that eschewed human movement in favour of electronics such as rhythm boxes and samplers. Genres: Synthpop, Electropop, City Pop. [99], YMO also influenced many video game composers and significantly affected the sounds used in much of the chiptune and video game music produced during the 8-bit and 16-bit eras. Die Mitglieder sind … Im Jahr 1979 nahmen ‘Yellow Magic Orchestra’, das erste in der Geschichte der Popkultur festgehaltende Album mit Hilfe des damals ganz neuen ‘Roland MC-8 MicroComposer’ auf. [56] Soon after Technodelic, the LMD-649 was used by YMO-associated acts such as Chiemi Manabe[57] and Logic System. Public Pressure. At around the same time, the 1980 song "Riot in Lagos" by YMO member Sakamoto pioneered the beats and sounds of electro music. Jetzt bequem online bestellen. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. Hosono holte daraufhin beide zur Fertigstellung seines Albums “Paraiso” ins Boot. On June 23, 2018, Hosono played his debut UK solo concert at the Barbican Centre in London; Takahashi and Sakamoto joined him on stage to perform "Absolute Ego Dance". Kostenlose Lieferung für viele Artikel! [88][89] The "terse videogame-funk" sounds of YMO's "Computer Game" would have a strong influence on the emerging electro and hip hop genres. According to SF Weekly, YMO's musical timeline has gone from "zany exotica-disco spoofs" and "bleeps and blips" in the 1970s to "sensuous musique concrète perfected" in their 1983 albums Naughty Boys and Service. [11] The group leader Haruomi Hosono had been using an Ace Tone rhythm machine since early in his career in the early 1970s. 4,5 von 5 Sternen 84. Audio CD. This led to the YMO being offered an international deal, at which point (early 1979) the three members decided the group would be given priority over their solo careers. https://de.wikipedia.org/w/index.php?title=Yellow_Magic_Orchestra&oldid=204529953, „Creative Commons Attribution/Share Alike“. The band was formed by … [41] It was announced in February that YMO will perform at the Fuji Rock festival in July and the World Happiness festival 2011 on August 7 where they will debut new songs. [3][34] According to The Guardian, they "may have just invented hip-hop"; the hip-hop pioneer Afrika Bambaataa credited the band as an inspiration and once remarked that YMO invented hip hop music (in a half-joking manner). They opened with a cover of "Hello, Goodbye" and performed old YMO songs along with their newer songs.[38]. Yellow Magic Orchestra | 21-02-1980 Gesamtdauer: 42 min. [22] Electric instruments were also used, the Fender Rhodes piano and Fender Jazz Bass. Solid State Survivor (Live Version) Yellow Magic Orchestra. Diese Zusammenarbeit führte dann zum Projekt Y.M.O. [45] Beyond electro acts, "Computer Game / Firecracker" was also sampled by a number of other later artists, including 2 Live Crew's "Mega-Mixx II" (1987),[73] De La Soul's "Funky Towel" (for the 1996 film Joe's Apartment),[95] Jennifer Lopez's worldwide hit "I'm Real" (2001), and the original unreleased version of Mariah Carey's "Loverboy" (2001). Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP. [10] The group would release several albums before pausing their activity in 1984. He described Kraftwerk's music as "theoretical, very focused, simple and minimal and strong". [53] Sakamoto has expressed that his "concept when making music is that there is no border between music and noise. [26] Despite the approval of songwriter Sakamoto and lyricist Chris Mosdell, it was eventually removed from the album due to legal issues with YMO's management. Barcelona performance at Sonar festival and Wild Sketch Show DVDs chronicle these reunions, and include a tongue-in-cheek Japanese text-only history of the group that spans to 2036. Die Mitglieder sind Haruomi Hosono (Bass), Yukihiro Takahashi (Schlagzeug) und Ryuichi Sakamoto (Keyboard). Das Yellow Magic Orchestra (Y.M.O.) Making abundant use of new synthesizers, samplers, sequencers, drum machines, computers and digital recording technology as it became available, as well as utilizing cyberpunk-ish lyrics sung mostly in English, they extended their popularity and influence beyond Japan. He later proposed they rename the group Human Audio Sponge when he participates. The popular anime series Dragon Ball Z also paid homage to the band with the song "Solid State Scouter" as the theme song of the 1990 TV special Dragon Ball Z: Bardock – The Father of Goku. nun einen internationalen Deal angeboten, so dass die drei Mitglieder beschlossen, dem Projekt gegenüber ihren Solokarrieren Priorität einzuräumen. [66] As a result of such innovations, YMO were credited at the time for having "ushered in the age of the computer programmer as rock star. In 2012, Sakamoto helped organize the No Nukes 2012 festival held in the Makuhari Messe hall in Chiba, Japan on July 7 and 8, 2012. [69][70] By the 1990s, YMO were also frequently cited as pioneers of ambient house music. Die LP Yellow Magic Orchestra: Solid State Survivor jetzt portofrei für 23,99 Euro kaufen. Tong Poo (Live Version) Yellow Magic Orchestra. Titled “ラップ現象” (Rap Genshou), the lyrics were co-written by Haruomi Hosono and Peter Barakan. An der Welttournee 1979 war Gitarrist Kazumi Watanabe als Gast beteiligt. [77], The band has also been very influential in its homeland Japan, where they had become the most popular group during the late 1970s and 1980s. Preview, buy, and download songs from the album Yellow Magic Orchestra, including "Computer Game "Theme from The Circus"," "Firecracker," "Simoon," and many … [7], YMO were pioneers of synthpop, a genre whose emergence at the start of the 1980s some have argued was the most significant development in melodic pop music since the Sixties and the Beatles. Dieses Genre wurde Ende der Siebziger Jahre des 20. In HMV Japan's list of top 100 Japanese musicians of all time, YMO were voted second place, behind only Southern All Stars, a pop-rock band who remain largely unknown outside Japan. [32], They also had similar success abroad, performing to sold-out crowds during tours in the United States and Europe. They also covered "Hello, Goodbye" and "Thank You (Falettinme Be Mice Elf Agin)". The song was later revised by Michael Jackson, who added new lyrics and had intended to include it in his album Thriller. ‘Computer Game/Firecracker’ ist der Hit de sie weltweit bekannt machte: 16.02.2020. Teilen Sie hier Ihre Erfahrung mit künftigen Besuchern dieser Veranstaltung. Ballet Songtext von Yellow Magic Orchestra mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com In August 2010, YMO once again closed their World Happiness festival. Informationen zum Album X ∞ Multiplies (1980) von Yellow Magic Orchestra The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums) and Ryuichi Sakamoto (keyboards). 07. Für die darauf folgende Tour wurden sie als Not YMO angekündigt. Solid State Survivor. Read Full Biography. Following an advertising deal with Fuji Cassette, the group sparked a boom in the popularity of electronic pop music, called "technopop" in Japan,[16][6] where they had an effect similar to that of the Beatles and Merseybeat in 1960s Britain. Billboard is a subsidiary of Valence Media, LLC. Takahashi, in particular, would play the band's material in his concerts. [92] The 1980 release of "Riot in Lagos" was also listed by The Guardian in 2011 as one of the 50 key events in the history of dance music. Dieses Genre wurde Ende der 1970er Jahre von ihnen maßgeblich mitbeeinflusst. [16] Successful solo act Akiko Yano (later married to Sakamoto) joined the band for its live performances in the late 1970s and early 1980s, but did not participate in the studio recordings. [23] The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians—the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization. [55] The pace at which the band's music evolved has been acknowledged by critics. ", "Chris Mosdell, quirky Boulder lyricist, wrote lyrics for newly released Michael Jackson song", "Pioneering Production Economy in the '80s", "Q&A With Ryuichi Sakamoto: Pop Pioneer And Producer And Award-Winning Soundtrack Composer", "Big in Japan: Yellow Magic Orchestra & Cibo Matto | Hollywood Bowl Presented by LA Phil", "Sakamoto gently rallies the troops for No Nukes 2012 | The Japan Times Online", "Yellow Magic Orchestra on Kraftwerk and How to Write a Melody During a Cultural Revolution", "Turning Japanese: The Philosophy of Ryuichi Sakamoto", "It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl", "The History Of Roland Part 1: 1930–1978", "Slaves to the rhythm: Kanye West is the latest to pay tribute to a classic drum machine", "Peter Stenshoel's Album of the Week: What, Me Worry? Meanwhile, Sakamoto would gain international success for his work as a solo artist, actor, and film composer,[36] winning Grammy, Oscar and Golden Globe awards. The album featured the use of computer technology (along with synthesizers) which, according to Billboard, allowed the group to create a new sound that was not possible until then. Sie werden auch dort als Pioniere anerkannt und ihre Musik wird ungebrochen geremixt und gesampelt. [citation needed] Instead of traditional vocals, about half of it features field audio recordings and samples of authors and scientists reading their work. "[45] Kraftwerk was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members. [6] The single "Computer Game" had sold 400,000 copies in the United States[6] and reached No. [81] "Computer Game" (1978) was later included in Carl Craig's compilation album Kings of Techno (2006). 05:14 Komponisten: Yukihiro Takahashi. Their use of sequencing, drum programming and synths were put to very broad use, making very arty, technological, and sophisticated mechanical music. Euphonium, episode 5, the song "Rydeen" is played by Kitauji highschool's orchestra. [73] In 2009, a cover of "Kimi ni Mune Kyun" was used as the ending theme song for the anime adaptation of Maria Holic, sung by Asami Sanada, Marina Inoue, and Yū Kobayashi, the voice actresses of the main characters. Solid State Survivor aus dem Jahr 1979 bedeutete den endgültigen Durchbruch in Japan und wurde beim Japan Record Award als bestes Album ausgezeichnet. [29] They influenced many early British synthpop acts, including Ultravox, John Foxx, Gary Numan, Duran Duran,[16] Depeche Mode,[4] Camouflage,[4][85] OMD, The Human League,[45] Visage,[86] and Art of Noise,[87] as well as American rock musicians such as Todd Rundgren.
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